Avant-propos in Les Illuminations de La Mecque (in French). ^ Henry Corbin, L'imagination créatrice dans le soufisme d'Ibn Arabi.^ Constant Hamès, Ibn Arabî, Les Illuminations de La Mecque (compte rendu), Archives de sciences sociales des religions, 1990, Vol.^ a b c d e f g "al-Futuhat al-Makiyya Printed Editions".^ Read Secret Practices of the Sufi Freemasons Online by Baron Rudolf von Sebottendorff | Books.^ Introduction to The Meccan Revelations on Ibnarabisociety.Henry Corbin compared Dante's Béatrice, which leads the poet to paradise in the Divine Comedy and awakens him to love in the Vita Nuova, to Ibn Arabi's Nizhâm, a mystical woman who initiates the Andalusian philosopher to the experience of God's love. They influenced the "Spiritual Writings" of the emir Abd el-Kader, who published the book in 1857, and perhaps Dante. The Illuminations are a classic of Sufism, theology and Islamic philosophy. Ibn Arabi also recounts his encounter and service to mystic Fatima bint al-Muthanna, with whom he recites Al Fātiḥah (the first surah of the Quran) and whose degree of spiritual elevation he admires. He quotes the poems of the writer Rabia of Basra, who according to him is "the most prestigious interpreter" of love. Ibn Arabi is initiated into religious experience by a spiritual woman called Nizham, a young Iranian woman whose name means "Harmony". Women are prominently featured in the book, particularly in Chapter 178 on love. Controversy over his teachings flared again in 1979 when the Egyptian parliament attempted to ban the republication of the print edition of The Meccan Revelations. 1624), members of the Wahhabi sect of Saudi Arabia and beyond, and an array of modern Muslim revivalists and modernists. Īside from Ibn Taymiyyah, his many critics have included the historian Ibn Khaldun (d. There is also a psychological and religious description of the effects of Allah's Love (in both the subjective and objective sense of expression).Īccording to Michel Chodkiewicz, this book occupies a particularly important place in Ibn Arabi's work because it represents "the ultimate state of his teaching in its most complete form". In the Illuminations Ibn Arabi develops a theory of the imagination and the imaginary world explained by Henry Corbin. The book takes its title from the holy city of Mecca, to which Ibn Arabi travelled on pilgrimage in 1202, and in which he received a number of revelations of divine origin. The city of Mecca in 2011, a major place of pilgrimage for Muslims. These manuscripts, once part of the waqf of Sadr al-Din al-Qunawi, are known as the "Konya" manuscripts and they are now kept in Istanbul (Evkaf Muzesi 1845-1881). The second version, called the Konya Manuscript ( مخطوط قونية), exists in manuscripts in Ibn Arabi's own hand, with the exception of volume nine. He completed the first in the year 629 of the Hijra and worked on the second version between the years 632 and 636 of the Hijra. Ibn Arabi wrote two versions of al-Futūḥāt al-Makkīyah, his magnum opus. The book contains autobiographical elements: encounters, events, and spiritual illuminations. The Andalusi thinker exposes his spiritual journey, his theology, his metaphysics and his mysticism, using sometimes prose, sometimes poetry. The Meccan Revelations ( Arabic: كِتَابُ الفُتُوحَاتِ المَكِّيَّة, romanized: Kitâb Al-Futūḥāt al-Makkiyya) is the major work of the philosopher and Sufi Ibn Arabi, written between 12. This SACD contains, in addition to Les Illuminations and the aforementioned Variations, also the Serenade for Tenor, Horn & Strings op.31.Opening pages of the Konya Manuscript of the Meccan Revelations, handwritten by Ibn Arabi. Toby Spence colors very nicely with his falsetto in the beautiful Being Beauteous (strangely enough, the British chose an English title here). Les Illuminations (originally for soprano) is sung here in the tenor version for Peter Pears. Right at the start of the cycle, Britten resolutely locks the door to his inner self: 'I alone have the key to this wild parade'. The cycle is a kind of half-hearted 'coming out', in which … British people somewhat hide behind the decadent symbolism of the expert by experience Arthur Rimbaud overly explicit references to "bestial caresses" were discreetly removed. In 1939, Britten dedicated the brooding song Antique from Les Illuminations to 'KWHS' (the initials of Wulff Scherchen). Before the strong shoulders of Peter Pears emerged, Britten had a more than warm interest in Wolfgang ('Wulff') Scherchen (the son of the conductor), seven years younger, to whom the composer had once lent his raincoat.
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